Wang Xinyuan, The First Generation Cross Border Designer, Shows Chinese Culture.

Recently, Wang Xinyuan, 56, is busy in Anji's theme park for HELLO KITTY.

"I am one of the shareholders. I have a lot of play. I think I am an artist, so I should play across the border."

He is really a cross man. He is the first generation of fashion designers in China and is the representative of fashion pioneers in 80s. He is the first Chinese designer to label himself with his own name, and is also the first designer in the largest indoor patio in Asia to run T stage show.

Of course, he is also the chief designer of the Shanshan Group.

After 2006, he began his calligraphy and seal cutting career.

Wang Xinyuan said that unlike other calligraphers, he had a wide range of dabbling.

In 2003, Wang Xinyuan saw Wang Dongling's calligraphy by accident. He thought he was really good. He worshipped him as a teacher. The more I wrote, the more I put in. Wang said that I was making rapid progress.

"I have been involved in fashion design for more than 20 years, and I have been running around the world in various fashion shows. I have been thinking about the way out for Chinese clothing."

In the end, he found calligraphy. "Calligraphy is the decoding of Chinese culture, its lines are thick and thin, the composition of the whole composition, the sparse and dense, the long and the short, and even the artistic conception expressed by the thick and thin ink, just like Chinese landscape painting, really contains the charm of Oriental philosophy."

In 2006, CCTV launched the 2007 fashion trend of Chinese clothing. The theme is "Chinese elements".

Wang Xinyuan's idea of combining calligraphy with clothing has the best publishing platform.

In the publication of the Chinese style "black and white generation", calligraphy has become the element of fabric. The contrast of large black and white, and hand embroidered ink, reflects Wang Xinyuan's cognition of calligraphy and fashion design concept.

"Dragon and phoenix patterns, moire buttons, matching buttons, even lanterns and cornices have once been the representatives of Chinese elements. They have been split and deconstructed in various costume designs.

However, this is just a symbol of appearance, rather than the true characterization of Chinese artistic charm and spiritual connotation.

Wang Xinyuan believes that in many forms of art, calligraphy is an artistic carrier that combines many oriental charm.

Subsequently, Wang Xinyuan began his real calligraphy study.

"I began to practice calligraphy more densely.

"Two kings", Mi Fei and Han Tablet are the models of key copying.

I write every day.

Wang Xinyuan said that when tired, writing is a better way of rest.

Comparatively speaking, Wang Xinyuan likes seal characters and grass.

"People say, you already have some features.

But I still want to get better promotion.